Lower park-Neraton Land


	Peterhof is a series of palaces and gardens, laid out on the orders of Peter the Great, and sometimes called the "Russian Versailles". It is located about twenty kilometers west and six kilometers south of St. Petersburg, overlooking the Gulf of Finland, an arm of the Baltic Sea. "Peterhof" may also refer to the adjacent town of 82,000 people. The palace-ensemble along with the city center is a UNESCO World Heritage Site.

The dominant natural feature of Peterhof is a sixteen-metre-high bluff lying less than a hundred metres from the shore. The so-called Lower Gardens (Nizhny Sad), at 1.02 sq km comprising the better part of Peterhof's land area, are confined between this bluff and the shore, stretching east and west for roughly 200 metres. The majority of Peterhof's fountains are contained here, as are several small palaces and outbuildings. East of the Lower Gardens lies the Alexandria Park with 19th-century Gothic Revival structures such as the Kapella.


In the time of Peter the Great, the sea floor just north of the Peterhof site and to the east toward St. Petersburg was too shallow for either commercial ships or warships. However, to the west of Peterhof, the sea floor dropped off to be deep enough for sea-going vessels. Accordingly, when Peter the Great decided to build St. Petersburg at the eastern end of the Gulf of Finland, he first captured the Kotlin Island clearly visible from the Peterhof site just to the northeast in the middle of the Gulf. At Kotlin Island he would build the commercial harbor for St. Petersburg as well as the Kronstadt fortifications across the 20 kilometers of shallow sea to provision and defend the Navy that he would build. Peter the Great first mentions the Peterhof site in his journal in 1705, during the Great Northern War, as a good place to construct a landing for use in traveling to and from the island fortress of Kronstadt. And in 1714, Peter began construction of the Monplaisir ("my pleasure") Palace based on his own sketches of the palace that he wanted close to the shoreline. This was Peter's Summer Palace that he would use on his way coming and going from Europe through the harbor at Kronstadt. On the walls of this seacoast palace hung hundreds of paintings that Peter brought from Europe and allowed to weather Russian winters without heat together with the dampness of being so close to the sea. And in the seaward corner of his Monplaisir Palace, Peter made his Maritime Study from which he could see Kronstadt Island to the left and St. Petersburg to the right. Later, he expanded his plans to include a vaster royal chateau of palaces and gardens further inland, on the model of Versailles. Each of the tsars after Peter expanded on the inland palaces and gardens of Peterhof, but the major contributions by Peter the Great were completed by 1725. Peter had also entertained plans of a similar palace at Strelna, a short way to the east, but these plans were abandoned. 18th-century court dressPeterhof originally appeared quite differently than it does today. Many of the fountains had not yet been installed. The entire Alexandrine Park and Upper Gardens didn't exist. (The latter was used to grow vegetables, and its ponds, then numbering only three, for fish.) The Samson Fountain and its massive pedestal had not yet been installed in the Sea Channel, and the channel itself was used as a grand marine entrance into the complex. Perhaps the most important change augmenting Peter's design was the elevation of the Grand Palace to central status and prominence. The Grand Palace was originally called simply 'Upper', and was hardly larger than any of the other structures of the complex. The addition of wings, undertaken between 1745 and 1755, was one of the many projects commissioned from the Italian architect Bartolomeo Rastrelli by Elizabeth of Russia. Likewise, the Grand Cascade was more sparsely decorated when initially built. The augmentation of Peterhof's original fountains and the addition of new ones continued well into the 19th century. Peterhof, like Tsarskoye Selo, was captured by German troops in 1941 and held until 1944. In the few months that elapsed between the outbreak of war in the west and the appearance of the German Army, employees were only able to save a portion of the treasures of the palaces and fountains. An attempt was made to dismantle and bury the fountain sculptures, but three-quarters, including all of the largest ones, remained in place. The occupying forces of the Nazi German Army deliberately and barbarically vandalized and largely destroyed Peterhof, particularly out of spite after the breaking of the siege of Leningrad. Many of the fountains were destroyed, and the palace was partially exploded and left to burn. Restoration work began almost immediately after the end of the war and continues to this day. It progressed remarkably quickly, and is still being carried out. The name was changed to 'Petrodvorets' ("Peter's Palace") in 1944 as a result of wartime anti-German sentiment and propaganda, but the original name was restored in 1997 by the post-Soviet government of Russia. In 2003, St Petersburg celebrated its 300th anniversary. As a result, much of the building and statuary in Peterhof has been restored and new, and shiney, gilt-work abounds.


The Grand Cascade is modeled on one constructed for Louis XIV at his Chateau de Marly, which is likewise memorialized in one of the park's outbuildings. At the center of the cascade is an artificial grotto with two stories, faced inside and out with hewn brown stone. It currently contains a modest museum of the fountains' history. One of the exhibits is a table carrying a bowl of (artificial) fruit, a replica of a similar table built under Peter's direction. The table is rigged with jets of water that soak visitors when they reach for the fruit, a feature from Mannerist gardens that remained popular in Germany. The grotto is connected to the palace above and behind by a hidden corridor. The fountains of the Grand Cascade are located below the grotto and on either side of it. Their waters flow into a semicircular pool, the terminus of the fountain-lined Sea Channel. In the 1730s, the large Samson Fountain was placed in this pool. It depicts the moment when Samson tears open the jaws of a lion, representing Russia's victory over Sweden in the Great Northern War, and is doubly symbolic. The lion is an element of the Swedish coat of arms, and one of the great victories of the war was won on St Samson's Day. From the lion's mouth shoots a 20-metre-high vertical jet of water, the highest in all of Peterhof. This masterpiece by Mikhail Kozlovsky was looted by the invading Germans during the Second World War; see "History" below. A replica of the statue was installed in 1947. Perhaps the greatest technological achievement of Peterhof is that all of the fountains operate without the use of pumps. Water is supplied from natural springs and collects in reservoirs in the Upper Gardens. The elevation difference creates the pressure that drives most of the fountains of the Lower Gardens, including the Grand Cascade. The Samson Fountain is supplied by a special aqueduct, over four km in length, drawing water and pressure from a high-elevation source.


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